studio 60 vs 30 rock
'30 Rock' vs. 'Studio 60': The Sketch-Off. In fall of 1975, the smart, old money was on Howard Cosell: America knew who he was, and who outside of Maryland had ever heard of Chevy Chase? ABC’s Delta House had the distinct advantage of being an official Animal House spin-off, with a pilot penned by Animal House screenwriters Harold Ramis, Doug Kenney, and Chris Miller and cast holdovers including John Vernon’s Dean Wormer and Stephen Furst’s Kent “Flounder” Dorfman. 8-9. Threshold, Surface, and Invasion (2005)Network executives looked upon the breakout hit of fall 2004—ABC’s Lost—and said, “Lo, bring unto us more of those, writers of Hollywood.” And thus were produced three shows that all debuted the following fall: CBS’ Threshold, NBC’s Surface, and ABC’s own Invasion. The history of vehicle/robot metamorphs has since been written by the victor. this link is to an external site that may or may not meet accessibility guidelines. Thanks to scheduling issues and a WGA strike, both shows suffered before they even debuted, thanks to unclear première dates and time slots. script.id = 'commitchange-script'; Because 30 Rock takes a more light-hearted approach, it's a lot more palatable. And are there sound reasons that people of such different backgrounds ought not to become seriously involved? Saturday Night Live With Howard Cosell and Saturday Night Live (1975)Two comedy-variety hours with ensemble casts; two live broadcasts on Saturday night (albeit one in prime time and the other in late night); two claimants to the same name. Pop culture obsessives writing for the pop culture obsessed. At this point, there’s no official word on whether DS9 owes anything, directly or indirectly, to B5, and there likely never will be. Offers may be subject to change without notice. The attention both shows received for their resemblance to each other turned out to be the only attention they got, and both were quickly canceled. Over on ABC, The Nine was an ensemble drama that played the events of a bank robbery and hostage situation out via minute flashbacks and the post-traumatic reflections of the victims, who included Tim Daly, Scott Wolf, and Chi McBride. M. Sorkin, meet Mme. The episode of The Chair in which a contestant took home the maximum $250,000 was perhaps the dullest quiz-show jackpot win ever. ;;Let's not forget, after all, that we are living in a postmodern (or perhaps even post-postmodern) era in which a suitable subject for a television show is likely to be another television show. Jack made his name within the company — called NBC, like the real one — by developing an oven that cooks with three kinds of heat. ;30 Rock and Studio 60 are both smart, funny series. if(document.getElementById('commitchange-script')) return; 18-19. ;In an especially effective sequence, Jordan refuses to bid on a sleazy reality show (again, over Jack's objection). 30 Rock is a little funnier (thanks largely to Baldwin) and Studio 60 is little smarter, but they're both worth watching. The phenomenon hit its low point with ABC’s The Chair and Fox’s The Chamber, two quiz shows that premièred within days of each other in 2002. © 2020 When Danny hears about this, he's so impressed that he decides to use his street cred as a well-regarded creative type to help her lure a gifted writer to NBS. The series eventually settled into opposing Thursday-night slots, where ER handily trumped Chicago Hope in the ratings—as well as Emmy nominations, notching 15 in its first season alone. Orlando Weekly script.src = 'https://us.commitchange.com/js/donate-button.v2.js'; Jordan is obviously fighting for that soul when she rejects schlock and supports Matt and Danny. (24 can shoulder some of that blame as well.) Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community. 16-17. So when she set out to create 30 Rock, a show about the backstage goings-on at an SNL-like program, she used the limitations of a shabby reality — not some gleaming Aristotelian ideal — as her touchstone. Both shows were set aboard space stations charged with guarding important travel points, and both were serialized, telling long-form stories intended to last the run of the series. Bringing this approach to the small screen makes a certain amount of sense, provided the series found a way to cut down on Ferris’ potential for smugness. The Nine lingered long enough for a conclusion that didn’t resolve anything, while Kidnapped had a chance to make a rushed final episode that revealed the fiend behind the abduction. ;;I'm not going to dwell on this coincidence other than to grant that it may be one. ;If you don't already know;about the 30 Rock/Studio 60 double-whammy situation, let me summarize: Two totally separate TV series premiered on NBC this fall, each of which focuses on the behind-the-scenes antics at a late-night show like Saturday Night Live. After all, if there can be two Truman Capote movies (Capote and Infamous) and two versions of The Office (British and American), why not 30 Rock and Studio 60? Whether it's a one-time acknowledgement of this article or an ongoing pledge, your support helps keep Orlando’s true free press free. After it aired, ABC pulled the series so it could bore America no further. Besides, SNL, now in its 32nd season, was long overdue for this sort of treatment: Your Show of Shows, the SNL of its day, was given the same behind-the-scenes goosing by The Dick Van Dyke Show only 11 years after it started. ;;Jack's idea for The Girlie Show is to hire Tracy Jordan (Tracy Morgan), a flaky but popular movie star; Jack thinks Tracy will bring a "third kind of heat" to the show. Studio 60 on the Sunset Strip is a show for a world withoutfarts, without awkward silences, without grammatical errors, a worldwhere comedy is clockwork (which might explain Sorkin’s attachment tofarce, comedy’s least anarchic form). For some reason, though, the same premise didn’t confer similar staying power on The Mighty Orbots.

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