naomi corbyn

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When I went to interview him last year in Marseilles, he said Heath was known for visiting rough pubs, frequented by squaddies. Whether it’s Alexandre Desplat’s music, the eye-popping colours or the mannered but brilliant performances, all the elements here are perfectly judged. When India (Mia Wasikowska) receives a visit from her enigmatic Uncle Charlie, she discovers they share a perverse kinship.

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We get the ups and the downs. It’s a wilderness tale on the very grandest scale. A devastating kaleidoscope of stark images, mischievous easter eggs and pure, guttural horror, Hereditary asks a staggering amount of star Toni Collette, who wails and groans and weeps, as if conveying a full-body demolition in painful slow-motion. The broadcaster and writer Jonathan Meades grew up in Salisbury, and writes about its murky weirdness in his brilliant autobiography, An Encyclopaedia of Myself.

He called it “something we cannot describe with our words: all we can do is just cry”. It is a performance for the ages in one of the best films in recent memory. It lauds Corbyn’s manifesto as a “transformative plan that prioritises the needs of people and the planet over private profit and the vested interests of a few”. No other film has reflected society in the 21st century more succinctly. GM.

Describing the election on 12 December as “stark” and “urgent”, the letter says: “We are alarmed by the global rise of far-right nationalism and the authoritarian turn taken by many governments following the global financial crash of 2008.”. Deeply romantic, sexy and dramatic, it takes everything Haynes perfected in his Douglas Sirk-inspired drama Far from Heaven (2002), and maximises it. David and Naomi Corbyn lived in this house from the 1970s onwards, and left it to their sons when they died. His work breeds curiosity.

Lady Bird – and its story of a frustrated teen (Saoirse Ronan) trapped in Sacramento, California – is deeply attuned to how we relate to memory. David Thewlis’s exceptional voice work brings an extra, sardonic edge to its portrayal of the businessman on a work trip to Cincinnati. Todd Haynes’s 2015 masterpiece plays like a fairytale, kick-started by a misplaced pair of gloves, with Cate Blanchett and Rooney Mara acting on feelings that were considered unacceptable at the time.

“Bernie Ecclestone already supports the idea.” She adds that she became a racing driver because her father had two daughters, and “obviously he wanted a boy”. Like Jeremy, they didn’t use a car, and Mrs Corbyn would apparently ride a 50-mile round trip on her scooter to take food parcels to the women of Greenham Common. Anderson lingers over objects of beauty throughout – the lines of a fabric, the mess of a breakfast table, the colourful residue left over after the ball drops on New Year’s Eve.

GM, Scarlett Johansson tucking nervously into a slice of chocolate cake becomes one of cinema’s most humane and bittersweet moments courtesy of filmmaker Jonathan Glazer, whose once-in-a-blue-moon film projects have produced a trilogy of sinister classics. I deduced the last occupants must have been left wing from the ragged copies of the New Statesman piled up in the recycling, and the yellowing pages of The Guardian stuffed between beams to act as draught excluders – a novel use for that newspaper – which continue to do a good job. A soothing balm for all of our socio-political ills, Paddington 2 is the film we needed more than any other this decade. Wiltshire is a peculiarly political place at the moment. CL, Like Ken Loach’s Kes, Clio Barnard’s Bradford-set tale, very loosely inspired by the Oscar Wilde story, combines lyricism with polemic. CL. JEREMY CORBYN has lashed out at a revelatory book about his time as Labour leader, branding it "tittle tattle" and "gossip passing as serious analysis" in a scathing rant.

At the moment, her only option is to race against other men, but she is fighting for change. Naomi Oreskes: ‘Discrediting science is a political strategy’ Zoë Corbyn The Harvard professor on science and scepticism – and why climate deniers have run out of excuses The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Premium. CL, Taika Waititi’s films always end with the feeling that things will work themselves out. Moonlight is ample proof of that: there are very few debuts that feel this transportive, that fill the screen with this much raw beauty and human vulnerability. It takes us deep inside the mind of its heroine, 11-year-old Riley, where her unconscious is shown as akin to a magical theme park; emotions like Joy and Sadness feature as characters. The asking price for the estate near Casares is €12m (£8.4m), rather a lot even if it does have two pools. This is most apparent in Boy, still his best film to date, which catalogues a young Maori boy’s dawning realisation that his absent father isn’t the hero he imagines him to be.

Noah Baumbach’s Frances Ha is the definitive film about the quarter-life crisis, largely because it embraces the messiness of it all. Sasha Lane – who had never acted before she was spotted by Arnold on a beach during spring break – plays working-class teenager Star, who yearns for a greater purpose and hitches a ride with a truckful of kids as adrift as she is. Director Pete Docter deals with complex subject matter in a lithe and inventive way, and without too many Freudian hang ups.

CL. This is Cuarón’s masterpiece. GM, Steve McQueen’s harrowing period drama confronts audiences with the reality of slavery. The letter argues that “Boris Johnson’s Conservatives have nothing to offer but the prospect of an ever more unequal and divided society, and dog-whistle politics”. Unabashedly political in its approach, Selma speaks plainly to the fact that society cannot pave its future without first understanding its past.

Skip to content. The public is hungry for deep change – they are crying out for it’, ‘You showed that political parties don’t need to fear the creativity and independence of social movements’.

But it’s also the story of Mexico’s history, as seen through the perspective of those who have, for so long, been left voiceless. Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. De Niro, Pesci, Keitel and (newcomer) Pacino are all cast in a film as much about friendship, memory and betrayal as it is about corruption in the Teamster union or Mafia violence. Michael Bond would be proud. But Yorgos Lanthimos has a hidden superpower up his sleeve: the more off-putting his films, the more you get drawn in. Racist white owners treat their slaves as if they’re livestock, not human beings. David Cameron said it’s not about where you’ve come from but where you’re going to, but in this case I like where Jeremy has been. Jordan Peele’s horror satire is a polished, spooky and supremely well-executed chiller, but works even better as a deconstruction of race. It is profoundly disturbing to watch. We want to solve the mystery of these strange worlds and their cold, inscrutable characters. AW. Are they the same soul in two different bodies, or are they merely bound together by the stench of death that follows them wherever they go? They were supposed to build it in feet, not metres.”.

Please continue to respect all commenters and create constructive debates. Her whole life has been about wearing outlandish clothes and over-sized glasses, though really the film is about mortality and the inevitability of death. It remains the most important film of the decade. He tells melodramatic family stories which would seem mawkish if they weren’t so brilliantly observed.

AW, Roma takes two stories – one heartwrenching and intimate, the other sweeping and political – and weaves them together so delicately that they become one. Letter’s signatories say they are ‘alarmed by the global rise of far-right nationalism’ He combines spectacle with very intimate moments that show the quiet desperation of the soldiers stranded on a French beach with little chance of escape. Start your Independent Premium subscription today. At its heart is Annette Bening, heartbreakingly empathetic as a woman out of time – too old for youthful bohemia and too young for her stuffy peers, and determined to raise her teenage son to be enlightened and brilliant.

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